Corazón Desfasado

  “In her last appearance, in Introitus (2010), she interprets the hymn21 of the city, with the help of a phallic ocarina of imitation pre-Colombian style, which is used today as a tourist souvenir. Conscious of the tonal limitations of this instrument, Corazón Desfasado embarks on the reconstruction of the hymn from memory. The action of trying to reproduce it reinforces the search for cultural identity that at the same time, puts in evidence a search for sexual identity. The subversion of symbols is converted here into a decolonialising action, since it is confronted by history codified by the West,…